FEMALE CENTAUR WITH BOW ON PARCHMENT

This is just in off the drawing table.Just thought I would share a bit, she is ink wash on parchment paper 11 X 14 and can be yours fro $75.00

Just E-mail me at tracyflynnart@gmail.com

MAKE IT WORK FOR YOU

I am working on a painting of Sampson knocking over the pillars, and in doing so, I had to paint some columns, and for me wanted to do marble. I painted these boys 2 times, and on the third had a wonderful idea.........I had seen something Todd Lockwood had posted about how he did some dragon wings, and thought to myself...THAT IS GREAT ..... I'll use it some day.

Well the day came and as I was painting these columns, I really wanted an organic random pattern in the marbling so I used what I had seen Todd do. Once I had my column painted and while the paint was still wet, I then laid the painting on a flat surface. Next I took one of my fan brushes and dipped it into my turps cup. I then went over to the painting, and too the brush and ran my thumb across the bristles and sprayed the areas of the painting with the turps. After doing that what I felt was enough times to get the effect I wanted, I then walked away and let it dry...............having faith that the combination of paint and turps would work for me in a beneficial way.

The theory behind this is that the turps will eat away at the wet paint leaving you random patterns to mimic the marble.

In my opinion it worked...........

.......so I guess the essence of this post is to let the materials work for you. I got a wonderful pattern that I was looking for and all I really had to do was splatter some solvent onto my paint.............and make it work for me. I do realize that this can backfire on you, but it is paint, so you can just paint over it if you don't get the results that you want.

STORY BOARDS ...HATMAN 3

Just recently a friend of mine got in touch with me about a project he was working on and asked me if I could lend a bit of a hand...the answer of course was yes.


He was working on a film project of his own production HATMAN and on the 3rd installment and wanted to know if I could story board it to help with shots and angles and such.storyboarding.... so we sat down one day in Studio B ( the porch ) and discussed the project and as we talked I doodled out the scenes he had scripted out.

After getting the initial pages down, over the next few days I sat down and redrew the panels with a little more finish to them as well as change the format from vertical..which is what I am used to doing mostly illustration.... to horizontal  fro more of a film look so that he could plan his shots a bit better and have it closer to the screen image.

 

Story boards are fun and quite similar to comic work. They can be as simple as you would like or s complex and complete..........I guess it all really depends on who you are working with and what they want in all honesty. Black and White or colour  as well.

I personally cannot wait to see the finished production  and had so much fun doing these, I hope it goes on and I get to do more!!! Here is part 2 of Hatman for you to see...........

 

BOWLING PIN-UPS

For some reason these gals just popped into my head, and had to get them out. They will be done in watercolour and ready for viewing soon.

POT ( O' GOLD ) PARTY

Every year I do one of these for our local St Patricks Day Festival and party....here is this years

QUICK TIP......

I am working on a drawing and had to match a curve ............. 
I HAVE NO BENDING CURVE MATCHING THING...............


BUT I do have a piece of tracing paper, a knife and a piece of paper...the paper is actually my scratch ink wiping blotter paper thing next to me while I ink.. so with these three things I trace the line, cut the page and match the curve!!

WATERCOLOURS .......part three

In part two I sort of left off at inking in the hair. As I said in that post, I really do not care to use ink straight out of the bottle/well. There are some cases where I do use it, but for the most part I really prefer to water it down, and build my blacks up in layers.

Layering.............. that is THE key to the way I work. Whether it is pencil, ink or paint, layering is the way to go.

In this photo you will see that I have laid down a basic colour for the tree, it is a bit of the yellow ochre and the sienna as well as the umber.....just sort of woody colours. From here I will continue to build up the colours with layers using the same earthy tones, adding some reds or blues to add warmth and depth to the piece as I continue to work and round it off.

I will also start to add in the greens for the mossy areas of the tree. In these areas I will also be starting to layer in the glow from the fire ball thing in her hand to the tree as well as her hair. In this phase of the painting I will tend to jump around from one area to the another,  allowing  some drying time in between layers of paint. I am using a sort of wet on wet thing and letting colours blend as I paint into an area, but also a more dry technique leaving more of a pure colour as well. Still only having a general over all  mid grad tone to the piece, no real lights or darks.

 

From here on out I pick mix and choose my colours, layering them onto the page until I get to the final image.

Finally on her I added a bit of white acrylics to the fireball thing in her hand to help"brighten" up the area, and a little bit on her waist and shoulder as highlights.

Going back in with the white acrylics, is something that doesn't happen often for me, but actually liked the way the application worked, and will try it again in another piece