BEAUTIFUL GRIM

This is for my friend..............

My name is Daarken and I am a concept artist and illustrator working for Mythic Entertainment. My friend Leif Jeffers, an animator at DreamWorks, and I are organizing an art auction fundraiser that will be held next year.


Earlier this year my girlfriend, Cat, was diagnosed with breast cancer at the age of 25. On November 3rd, 2009, she had a bilateral mastectomy after going through 16 weeks of chemotherapy. As you can imagine it has been hard for her, not only mentally and physically, but financially. In order to help alleviate some of her medical bills Leif and I wanted to throw an art auction. The proceeds that are left over after her medical bills have been paid will go to a breast cancer related charity to be determined by the artists in the coming weeks.

We currently have artists contributing that hail from all regions of the industry: concept artists, animators, photographers, sculptors, fine artists, illustrators, you name it. The theme for the auction is "Beautiful Grim." The interpretation of "Beautiful Grim" has been left up to the artists. A tentative deadline for the art has been set for February 1st, 2010. Venues to hold the event are also currently being researched, but so far we are considering either San Francisco or New York.


...............and yes I will be donating a piece to this.

LEAP

Here we have the completed painting detailed in the previous post.

REALIZING A PROBLEM AND MAKING THE CHANGES

Ok, in this one I  had a concept for a painting, liked the idea and did the little concept sketch, doodle, rough.......whatever you  want to call it, and still liked what I was doing..........pretty good so far. I have an idea, a sketch and am ready to start on the painting.

Now I get into the painting............things are going good in my mind and am just rockin along, background done, moved onto the central figure and thinking .....yeah, this is cool

the horse is doing fine, got the the dude working it with the axe ......cool axe Trace.......nice one there...........and then I sit back and LOOK at what I have done, and something just isn't right. Got sort of an S shaped pyramid compositional thing going on......some action happening, but still something is wrong.........Ah  Ha!! the arms aren't working .....too big, anatomy is off.........so I paint them out, but as I start to paint them back in..........IT still isn't right. So I just sort of sit back and really REALLY look at what I have going on here, and quickly come to the conclusion that it is the whole positioning of the rider..........it just doesn't work. Balance is off. Not believeable and he would fall off.

Back to the sketch book and play with it...............

                                           

.......now this really works for me, arms opened up for balance, still got an S like pyramid thing going, very fluid movement in harmony with the horse. Go with this I say to myself, so I begin to flesh it out and add a little detail to the figure..........if it doesn't work for this then I still have something I can play with later......... still a cool axe, so for a little bit of fun I scan the sketch and place it ontop of the painting in photoshop:

                                   

Now I really like it...............the changes were the right thing. They turned a painting that would never really work from a waste of time into a viable piece of work.  After seeing the potential for this in the little digital mock up, I truly begin to play with the figure and

add the details to it so that I can get a little better idea of what is going to go on. Big round belt buckle to mirror the roundness of the shield as well as the axe head. Two handed sword adding a third diagonal   and continuing the upward motion of the sheild arm as well as the horses movement .............directional lines are cool and an effective means of motion and compositional tools as well. Added a little oval thing to the harness creating a little triangle thing happening with the small circle of the shield and the belt buckle. All these little things that I am mentioning are what I saw AFTER doing them. While I was doing the drawing and adding this here and that there..........this was not going through my head, it was all subcontious activity and not planned.

Just like the legs of the horse and the arch of its back leading you up to the figure from the bottom.

After getting all of this going and transfered back to the painting it looks sort of like this:

                               

and here is a side by side comparrison of the old version and the new version......both in about the same stage of progress:

                         

At the writing of this, the painting is 95% completed and bennefiting from the changes made.  I am happy.

The ability to be your own critic and look objectively at what you do is a vital asset. Be open and honest with yourself .........an AD will as will everyone else looking at it .............and realize that not everything you do is going to come out exactly as planned. What looks good in a black and white pencil doodle won't necessarily be all it was cracked up once you start to add colour.

If you have any doubts about a piece, and you have the time......set it aside for a day or two, don't look at it and when you do go back to it, the answer might just be there for you. If that doesn't happen try showing it to a friend and see what it is that they are seeing in it. Be open to advice and try not to take it personal....especially if you want to improve and grow as an artist.

SNAP-SHOT DOODLING/MEMORY GESTURES

Last night I did something I hadn't done in a long time, I did what I call SNAP-SHOT DOODLING or MEMORY GESTURES. The basic concept is to capture a pose or "gesture" while watching a movement and then draw it. So last night while I watched my favourite monster movie...THE CREATURE FROM THE BLACK LAGOON, I picked up my sketchbook and started to doodle some of the action. I know they are rough and not a refined image, but that is what they are supposed to be. Each little doodle was a captured memory of what I had just seen on the screen. The only intent of the drawings were to capture the gesture or moment of that memory of what I had just seen.

For me, this is a good way to incorperate a movement or to capture an action. No, they are not exact replicas of what just occured on the screen, but a flash picture of it. Once it is seen then draw it and try to capture the action of the pose.

I not only do this while watching the t.v./ movies, but when I go to some of our childrens sporting events as well. This is even better than doing it to the television........you cannot rewind a live action, so you must get that mental snap-shot and get it down right quickly to preserve the moment.

When I was in school we used to go to the zoo to draw the animals, and this is most likely where this concept originated for me. At that time zoos were mainly cages and the animals sort of just sat there bored and didn't move much, but nowadays with the advent of the eco-envirement zoo...........might be fun to do again if you get to see the animals at all you will get a good primer of animal movement.

Looks like we will be making a trip to the zoo at somepoint, and the sketches will be coming out. One example I have of this sort of thing is from earlier this summer when I did the llama doodles.

MAHAR SACRIFICE

 Ok, well its been awhile since I had spoken about this project............so long in fact that I had almost forgotten I had planned to do it. The project was my AT THE EARTH'S CORE portfolio, and yes it still is in the works. I had had a few things come up that I had to put aside the personal projects for, but now I am winding down on those and getting back to the CORE  of things, and wanted to show a CORE sample to let anyone who might have been interested in this that I have gotten back to work on it.

I know that originally this project was intended to be in ink, well that sort of changed last night when I sat down in the living room and started to draw..............this came out, and I LIKED it. So while sitting there watching Jules Vernes the Mysterious Island and hanging out with my family I decided that the pencil 'folio would be just as cool as doing an ink and so............the AT THE EARTH'S CORE portfolio will still consist of 6 black and white images and one colour, but the B&W stuff will now be pencil.

continuing with the Dental work

Just a little update on the progress of the most recent comission. The original pencil for this can be seen here . I have been having a blast with this one and will honestly be sad to see it go, but am glad to know it will have a good home when it is finished.

a Dino doodle

This little guy was done  while I sat at my table at Rush Fest, and is a one sharpener. Once I had set up and was waiting for folks to come by, I pulled out the ol' 11 X 14 pad of paper and it only had one sheet left in it so I figured I 'd better make the most of it, so this is what came out.

He's only $45.00.